Written from the perspectives of ten different characters, Oindrila Mukherjee’s incisive debut novel explores class divisions, gender roles, and stories of survival within a society that is constantly changing and becoming increasingly Americanized. It’s a story about India today, and people impacted by globalization everywhere: a tale of ambition, longing, and bitter loss that asks what it really costs to try and build a dream.
After years of hard work in a factory outside of Santiago, Chile, Ramón accepts a peculiar job: to look after a Coca-Cola billboard located by the highway. And it doesn’t take long for Ramón to make an even more peculiar decision: to make the billboard his new home.
Twelve-year-old Miguel is enchanted by his uncle’s unusual living arrangement, but the neighborhood is buzzing with gossip, declaring Ramón a madman bringing shame to the community. As he visits his uncle in a perch above it all, Miguel comes to see a different perspective, and finds himself wondering what he believes—has his uncle lost his mind, as everyone says? Is madness—and the need for freedom—contagious? Or is Ramón the only one who can see things as they really are, finding a deeper meaning in a life they can’t understand from the ground?
When a local boy disappears, tensions erupt and forgotten memories come to the surface. And Miguel, no longer perched in the billboard with his uncle, witnesses the reality on the ground: a society that, in the name of peace, is not afraid to use violence.With sharp humor and a deep understanding of a child’s mind, How to Turn Into a Bird is a powerful tale of coming of age, loss of innocence, and shifting perspectives that asks us: how far outside of our lives must we go to really see things clearly?
When a World War II widow inherits a dilapidated English estate, she uncovers a diary written by an adolescent girl named Maude Gower. Looking for answers, she begins reading, only to unravel more questions about the mysterious past and many secrets hidden deep within the walls of Orchard House.
In 1876, orphaned Maude is forced to leave London, and her adored brother, Frank, to live with a stranger. Everyone—especially Frank—tells her not to trust Miss Greenaway, the enigmatic owner of Orchard House, but Maude can’t help warming to her new guardian. Encouraged by Miss Greenaway, Maude finds herself discovering who she is for the first time, and learning to love her new home. But when Frank comes for an unexpected visit, the delicate balance of Maude’s life is thrown into disarray. Complicating matters more, Maude witnesses an adult world full of interactions she cannot quite understand. Her efforts to regain control result in a violent tragedy, the repercussions of which will haunt Orchard House for the rest of Maude’s life—and beyond.
With each psychologically gripping turn, Elizabeth Brooks masterfully explores the blurred lines between truth and manipulation, asking us who we can trust, how to tell guilt from forgiveness, and whether we can ever really separate true love from destruction.
Through nine emotionally vivid stories, all narrated from animal perspectives, Talia Lakshmi Kolluri’s debut collection explores themes of environmentalism, conservation, identity, belonging, loss, and family with resounding heart and deep tenderness. In Kolluri’s pages, a faithful hound mourns the loss of the endangered rhino he swore to protect. Vultures seek meaning as they attend to the antelope that perished in Central Asia. A beloved donkey’s loyalty to a zookeeper in Gaza is put to the ultimate test. And a wounded pigeon in Delhi finds an unlikely friend.
In striking, immersive detail against the backdrop of an ever-changing international landscape, What We Fed to the Manticore speaks to the fears and joys of the creatures we share our world with, and ultimately places the reader under the rich canopy of the tree of life.
The odds of the planet next door hosting intelligent life are—that’s not luck. That’s a miracle. It means something.
In December 1960, Crystal Singer, her boyfriend Rick, and three other MIT grad students take a cross-country road trip from Boston to Arizona to paint a message in the desert. Mars has been silent for thirty years, since the last time Earth solved one of the mathematical proofs the Martian civilization carved onto its surface. The latest proof, which seems to assert contradictory truths about distance, has resisted human understanding for decades. Crystal thinks she’s solved it, and Rick is intent on putting her answer to the test—if he can keep her from cracking under the pressure on the way. But Crystal’s disappearance after the experiment will set him on a different path than he expected, forever changing the distance between them.
Filled with mystery and wonder, Ethan Chatagnier’s Singer Distance is a novel about ambition, loneliness, exploration, and love—about how far we’re willing to go to communicate with a distant civilization, and the great lengths we’ll travel to connect with each other here on Earth.
In 1940s apartheid South Africa, Milla de Wet discovers a child abandoned in the fields of her family farm. Ignoring the warnings of friends and family, Milla brings the girl, Agaat, into her home. But the kindness is fleeting, as Milla makes Agaat her maidservant and, later, a nanny for her son. At turns cruel and tender, this relationship between a wealthy white woman and her Black maidservant is constantly fraught and shaped by a rigid social order.
Decades later, Milla is confined to her bed with ALS, and is quickly losing her ability to communicate. Her family has fallen apart, her country is on the brink of change, and all she has left are her memories—and a reckoning with the only person who remains by her side: Agaat. In complex and devastating ways, the power shifts between the two women, mirroring the historic upheavals happening around them and revealing a shared lifetime of hopes, sacrifices, and control.
Hailed as an international masterpiece, Marlene van Niekerk’s Agaat is a haunting and deeply layered saga of resilience, loyalty, betrayal, and how the passage of time cannot heal all wounds.