After James

Michael Helm

A neuroscientist walks out of her life and isolates herself in the woods, intending to blow the whistle on a pharmaceutical company and its creativity drug gone wrong. A recently orphaned graduate school dropout is hired as a “literary detective” to decode the work of a mysterious Internet poet who writes about disappearances and murders with an inexplicably precise knowledge of private details. And a virologist discovers her identity has been stolen by a conceptual artist in whose stories someone always goes missing. Ali, James, and Celia exist in worlds where implausibilities that once belonged to science fiction, ancient superstition, or dystopian visions are real or impending.  

Set in great cities, remote regions, and deadly borderlands, Michael Helm’s groundbreaking novel, After James, is told in three parts, each gesturing toward a type of genre fiction: the gothic horror, the detective novel, and the apocalyptic. Science and art become characters, and secrets form, hidden in the codes of genetic sequences, poems, and the patterns of political violence. Part to part, elements repeat—otherworldly weather, disturbing artwork, buried corpses—and amid these echoes, a larger mystery arises, one that joins artifice to nature, and fiction to reality, delivering us into the troubling wonder of the present world.

Cities of Refuge

Michael Helm

One summer night on a side street in downtown Toronto, Kim Lystrander is attacked by a stranger. In the weeks and months that follow, she returns to the night, in writing, searching for harbingers of the incident and clues to the identity of her assailant. The attack also torments Kim’s father, and as he investigates the crime on his own, he begins to unravel. Entwined in their stories are Kim’s ailing mother, a young Colombian man living in the country illegally, and a woman whose faith-based belief in the duty to give asylum to any who seek it, even those judged guilty, endangers them all.

A novel of profound moral tension and luminous prose, Cities of Refuge shows how a single act of violence connects close-by fears to distant political terrors. It weaves a web of incrimination and inquiry in which mysteries live within mysteries, and stories within stories, and the power to save or condemn rests not only in the forces of history but also in the realm of our deepest longings.