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Editor's Note
Each July Tin House turns the Cerf Amphitheatre at Reed College into a temple of the written word. At our Summer Writer’s Workshop, editors, faculty, and over two hundred participants come together to recharge and share and risk. Night after night faculty and guest readers dazzle and disturb, and after a week of readings and talks everyone leaves spent yet rejuvenated. Often we are lucky enough to grab new work and pass it along within the magazine’s pages. This summer, Dorothy Allison shook us with her story “Something Not Unlike Love,” a ferocious depiction of how sexual attraction gets its hooks in. Cornelius Eady read two of the remarkable poems printed here, as well as performed a song for Trayvon Martin. And Claire Vaye Watkins gave a talk about how she got over “writing to impress old white men.” It was stirring, powerful, most of us in the room hearing articulated what we strongly felt but hadn’t quite been able to formulate into words. Watkins modified the talk into an essay, “On Pandering,” and we are proud to share this call to arms. Wherever you are this winter, we hope that you will hold the light we tried to capture from last July. And if you are in the neighborhood next summer, drop by and join us.
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Table of Contents
Fiction
Nonfiction
Poetry
AT FIRST IT LOOKED LIKE
ODE TO THE PRESENT MOMENT, IN THE LIVING ROOM, WITH BIANCA
LOOKING SOUTH AT LOWER MANHATTAN, WHERE THE TOWERS HAD BEEN
POPPITS
THE REMAKE
MEANWHILE SOME UNSOLICITED ADVICE
THE SECOND MOVEMENT FOOLED ME