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Editor's Note
In her short story “The Wolves,” Kseniya Melnik blends Russian fairy tales with Stalin-era paranoia to bring us closer to the feeling of Russian history while at the same time shining light on the dark underpinnings of our current moment. In an excerpt from her forthcoming novel, Red Clocks, Leni Zumas gives us a world where abortion has been outlawed, creating a state that feels like a lucid dream. In this issue we have more poetry than usual, as it seems contemporary poets are especially attuned to the productive ambiguity frequency and now is one of those zeitgeist moments when we most need them. Paisley Rekdal, in her poem “Marsyas,” writes that Apollo “never understands what he plays, / knowing only how his hand / trembles over the plucked muscle: / adding, he thinks, something lower to the notes, / something sweeter, and infinitely strange.”
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Dimensions | 9 × 7 × 1 in |
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Table of Contents
FICTION
POETRY
The School of Night & Hyphens
Would You Rather
Maybe I’ll Be Another Kind of Mother
Is It True All Legends Once were Rumors
Interior Design
For My Son Born in La Mariscal
Rigorous Practice of Listening
Cogito Redux
Selfie Stick
Pasiphaë
Qawanguaq with House
Qawanguaq
Elegy, in Words
On Some Items in the Painting by Velázquez
Three Sketches of Anxiety
In California, Everything Already Looks like an Afterlife
I See You in the Field of My Mind Baby Moo Cow
Ever Thank Goodness
Ashtray
Goodale Park