A People Magazine Pick and winner of the Miles Franklin Book Award
Funny, poignant, and galvanizing by turns, Josephine Wilson’s award-winning novel explores many kinds of extinction—natural, racial, national, and personal—and what we might do to prevent them.
Professor Frederick Lothian, retired engineer, has quarantined himself in a place he hates: a retirement village. His headstrong wife Martha, adored by all, is dead. His adopted daughter Caroline has cut ties, and his son Callum is lost to him in his own way. And though Frederick knows, logically, that a structural engineer can devise a bridge for any situation, somehow his own troubled family—fractured by years of secrets and lies—is always just out of his reach.
When a series of unfortunate incidents brings him and his spirited next-door neighbor Jan together, Frederick gets a chance to build something new in the life he has left. At the age of 69, he has to confront his most complex emotional relationships and the haunting questions he’s avoided all his life. Unbeknownst to him, Caroline—on her own journey of cultural reckoning—is doing the same. As father and daughter fight in their own ways to save what’s lost, they might finally find a way toward each other.
A masterful portrait of a man caught by history, and a sweeping meditation on the meaning of family, love, survival, and identity, Extinctions asks an urgent question: can we find the courage to change?
[Extinctions] has already made a significant mark on the literary landscape.
Josephine Wilson’s novel, Extinctions, is whip-smart, full of unexpected moves and a wonderful cast of characters. From its first sentence, the prose exhibits an unselfconscious beauty, while the voice remains both compassionate and uncompromising. A powerful, memorable read.
—Karen Joy Fowler, New York Times bestselling author of WE ARE ALL COMPLETELY BESIDE OURSELVES
A novel as beautifully and intricately designed as the iconic structures retired Australian engineer, Fred Lothian, admires. An intellectual but deeply flawed man, he can’t see he may be preserving the artifacts of his family’s past while letting his family wither away. A masterful meditation on love, loss and the carelessness of extinction.
—Helen Simonson, New York Times bestselling author of MAJOR PETTIGREW'S LAST STAND
Compassionate and unapologetically intelligent . . . A meditation on survival: on what people carry, on how they cope, and on why they might, after so much putting their head in the sand, come to the decision to engage, and even change.
—Miles Franklin Award Committee