Rebekah Bergman’s fiction has been published in Joyland, Tin House, The Masters Review anthology, and other journals. She lives in Rhode Island with her family.
With melancholy imagination, Bergman elegantly tackles nothing less than the entire arc of human history. . . . the novel blends fairy tale, philosophy, and shades of literary-futurist classics like Never Let Me Go.
—Kirkus Reviews, Starred Review
A startlingly assured debut. . . . Similar to Jennifer Egan’s A Visit from the Goon Squad. . . . a tightly constructed, wonderfully written, utterly original, and astoundingly good novel.
—Booklist, Starred Review
[A] satisfying speculative debut.
Bergman is a master at bringing multiple characters to life.
A Frankenstein-esque speculative novel for a youth-obsessed culture.
—NYLON, A Best Book of August
Takes you on an adventure somewhere just out of the periphery of your imagination.
A haunting debut novel full of heartbreak and twisted science.
—The Philadelphia Inquirer
Impressive. . . . reminiscent of another literary fantasy icon Kevin Brockmeier, as the prose and the subtle interconnections between its characters rise to the level of sublime.
—Chicago Review of Books, A Must Read Book of August
Aches with grief & humanity & the beauty it’s possible to find in the world, even if your vision has become crowded with loss. Astounding. . . . assured & deeply felt.
—Powell's, Powell's Pick Spotlight
Tells the story of a girl who falls into a dreamlike state for years, never aging as she does so, and explores the ways this affects the people around her and the larger world.
Original and compelling.
A breathtaking and poignant story about pain, obsession, and the passage of time. . . . Bergman’s lyrical prose and keen character insight infuse the novel with near-constant moments of emotional enlightenment.
—Shelf Awarenss, Starred Review
Winsome. . . . a startling novel about memory, desire, and learning to age with grace.
A startling novel about memory, desire, and learning to age with grace. . . . Offers readers what we as individuals can rarely see on our own, the interconnectedness that hums between every human being.
—Denver Public Library
Rebekah Bergman’s exploration of our strange biologies reads like the irresistible beating hands of time. This daughter of Mary Shelley delights and excites the border between story and science as she doles out questions that both haunt and expose our obsessions.
—Samantha Hunt, author of The Unwritten Book
In The Museum of Human History, Rebekah Bergman offers readers what we as individuals can rarely see on our own: the interconnectedness that hums between every human being, the high cost of painlessness and hard truths of our inevitable obsolesce. This is a novel about what we want and also what we can’t escape—a story as heartbreaking as it is seductive.
—Allegra Hyde, author of Eleutheria
Rebekah Bergman’s The Museum of Human History is one of the most agile novels I have read in a long time. It reads like a documentary retold as a dream retold as a mystery novel. What a wise, good-hearted debut!
—Kate Bernheimer, author of Fairy Tale Architecture
There are no static exhibits or neatly segmented timelines in Bergman’s The Museum of Human History. Here, lives bleed into each other, echoing on decades, centuries, millennia after they end (if they end). A haunting chord of a novel that will hang in the air long after you turn the final page.
—Tiffany Tsao, author of The Majesties